04/28/2022
EnCuirNoir
6 Reviews
EnCuirNoir
Helpful Review
2
Balad of unforgotten dreams
Smells like asexuality, inability to be loved, lonliness, regret and very very old things long expired & made of unattractive old withered trees.
I have no hands
that caress my face,
(heavy is the weight
of these words
that know no love)
I don't know the sweet pleasure
of abandoning you
I had to be
the guardian
of your loneliness
Me,
the savior
of lost hours.
A poem that this perfume has borrowed its first sentence; And shares its soul with. The presentation too, is taken from Mario Giacomelli's project with the same name and concept (also inspired by the same cold and catching poem). Those pictures to me act as a prequel to the poem, and share the vibe with the perfumes opening hours of warm denial in a cold emptiness that will inevitably catch up.
Review:
I initially had wrote a review explaining notes and their progression hour by hour, but how pointless is that for such a parfum which is more art than fashion and more melancholia than art. Beyond the notes listed here, which are accurately listed and are shed layer at a time, great pyramid and accurate votes, you will exactly get the dominant votes of each layer in with your first inhale an spicy (cinnamon) punch of incense and myrrh, half the sweetness of the full-bodied myrrh leaves and the almost edible Christmas treat gets into an spanish leather accord with now more dominant styrax added to the cinnamon and the omnipresent Incense, it's an spanish leather, an old withered one without any fat or musk left in, and finally it gets hardcore on the Incense and it's not a one dimensional one, with a divine touch of myrrh... The scent reminds me of very old home libraries, soaked old Spanish leather, wet carpet, expired church Incense and even beyond all the resembling scents it evokes certain feelings of being outdated, forgotten and alone in the modern world. It should be exprienced and it will ruin your shiny smile, darken your bright day and put you in the shoes of a manifestation of all that's been lonely.
To whom do I recommend? If you like perfumery and scents as an art, try this, doesn't matter if you'll like to wear it or not, you'll enjoy its haunting journey, if you like the idea of a sad Kouros, damp woodies, old books, old damp Spanish leathers, church Incense, smokes this is for you, if you enjoy a little grief or the thought of death comforts you here's a cold dark welcome, eerie and melancholic, it's also a great parfum to layer and add smokiness. If you don't like Lars von Trier features, can't stand Schubert and are looking for sth to smell attractive stay away you're probably not ready. The sweetness isn't cute, the spices aren't playful, the Incense isn't passionate, the leather not kinky.
It lasts a very long time (at least 10, probably 12+) and projects almost too much for first 3 hours (1 spray) and stays noticeable for many more after that. The transition starts with losing top notes and showing warmth of middle notes before presenting her full beauty with the undeniable darkness of base notes. Again a well done pyramid to represent the scent accurately. After many wearings I see a damp smoky Incense and cedar throughout as the main star which gets darker and less sweet and I love it more every passing hour.
I have no hands
that caress my face,
(heavy is the weight
of these words
that know no love)
I don't know the sweet pleasure
of abandoning you
I had to be
the guardian
of your loneliness
Me,
the savior
of lost hours.
A poem that this perfume has borrowed its first sentence; And shares its soul with. The presentation too, is taken from Mario Giacomelli's project with the same name and concept (also inspired by the same cold and catching poem). Those pictures to me act as a prequel to the poem, and share the vibe with the perfumes opening hours of warm denial in a cold emptiness that will inevitably catch up.
Review:
I initially had wrote a review explaining notes and their progression hour by hour, but how pointless is that for such a parfum which is more art than fashion and more melancholia than art. Beyond the notes listed here, which are accurately listed and are shed layer at a time, great pyramid and accurate votes, you will exactly get the dominant votes of each layer in with your first inhale an spicy (cinnamon) punch of incense and myrrh, half the sweetness of the full-bodied myrrh leaves and the almost edible Christmas treat gets into an spanish leather accord with now more dominant styrax added to the cinnamon and the omnipresent Incense, it's an spanish leather, an old withered one without any fat or musk left in, and finally it gets hardcore on the Incense and it's not a one dimensional one, with a divine touch of myrrh... The scent reminds me of very old home libraries, soaked old Spanish leather, wet carpet, expired church Incense and even beyond all the resembling scents it evokes certain feelings of being outdated, forgotten and alone in the modern world. It should be exprienced and it will ruin your shiny smile, darken your bright day and put you in the shoes of a manifestation of all that's been lonely.
To whom do I recommend? If you like perfumery and scents as an art, try this, doesn't matter if you'll like to wear it or not, you'll enjoy its haunting journey, if you like the idea of a sad Kouros, damp woodies, old books, old damp Spanish leathers, church Incense, smokes this is for you, if you enjoy a little grief or the thought of death comforts you here's a cold dark welcome, eerie and melancholic, it's also a great parfum to layer and add smokiness. If you don't like Lars von Trier features, can't stand Schubert and are looking for sth to smell attractive stay away you're probably not ready. The sweetness isn't cute, the spices aren't playful, the Incense isn't passionate, the leather not kinky.
It lasts a very long time (at least 10, probably 12+) and projects almost too much for first 3 hours (1 spray) and stays noticeable for many more after that. The transition starts with losing top notes and showing warmth of middle notes before presenting her full beauty with the undeniable darkness of base notes. Again a well done pyramid to represent the scent accurately. After many wearings I see a damp smoky Incense and cedar throughout as the main star which gets darker and less sweet and I love it more every passing hour.