Unum

né il giorno né l'ora 2023

né il giorno né l'ora by Filippo Sorcinelli
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7.0 / 10 51 Ratings
A perfume by Filippo Sorcinelli for women and men, released in 2023. The scent is aquatic-woody. The longevity is above-average. It is still in production.
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Main accords

Aquatic
Woody
Citrus
Spicy
Fresh

Fragrance Pyramid

Top Notes Top Notes
MuskMusk SandalwoodSandalwood Tonka beanTonka bean AmberAmber
Heart Notes Heart Notes
Marine notesMarine notes IrisIris JasmineJasmine RoseRose
Base Notes Base Notes
LemonLemon Lily of the valleyLily of the valley BergamotBergamot CitronCitron GalbanumGalbanum CardamomCardamom
Ratings
Scent
7.051 Ratings
Longevity
8.145 Ratings
Sillage
7.545 Ratings
Bottle
8.244 Ratings
Value for money
7.024 Ratings
Submitted by Splitter, last update on 12/23/2024.
Interesting Facts
The fragrance is part of the "Unum" collection.

Smells similar

What the fragrance is similar to

Reviews

5 in-depth fragrance descriptions
7
Pricing
9
Bottle
7
Sillage
7
Longevity
7
Scent
Chich

10 Reviews
Chich
Chich
1  
Citrus-marine with carnal vibe
This time completely another olfacfory area bring explores. Yellow citrus and marine notes on vanilla cloud.
Floral nicely blended.
This carnal, lustful chord gives something unusual, what is specific for this brand.
The packaging interesting and givong some fun but Unum should quit using foil to package the box.
0 Comments
10
Pricing
10
Bottle
9
Sillage
9
Longevity
9.5
Scent
Dan93

25 Reviews
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Dan93
Dan93
Very helpful Review 18  
The toxic transformation according to Freud
Freud divided anxiety into three categories.

From his personality model of the id, ego and superego emerge the following theory about human anxiety.

The realistic fear to flee from what is harmful, from what could have a negative impact on our integrity, on our survival. Be it forces of nature or, quite banally, the smell of fire in our house.

The neurotic fear describes how we react to facts, thoughts and ideas , which exist only in our head, but not outside, not in our environment and which are therefore not real. The loss of control we all know or nervousness before unknown events.

Moral anxiety comes full circle here. It is largely determined by the superego. It is this inner social world that we all have where our "ought", our "unconscious mandates" and this fear or shame of failure in all its forms, be it disrepute, loneliness or dismissal, are enacted.

The subject of fear and how to deal with that very fear is vast and profound, just like all of our fears themselves.

Filippo Sorcinelli has dedicated this fragrance to fear. If you put aside the artistic aspect and process with the enclosed scissors and the associated invitation to interact with the bottle for now, you focus only on the fragrance.

Purely olfactory, it is richly citrus by the tart citron, green by be floral elements and then yet very monotonous warm-woody with subtle aquatic glow.

This all sounds now first very wild and almost like a nice summer scent. Far from it!

Sorcinelli has bottled something much darker and more mythical in this gloomy bottle bound in leather. The fragrance captivates its wearer. Almost as if you have to free yourself with scissors!

The fragrance reminds me almost something of fear sweat, so a smell we all know.

Sorcinelli has once again managed to create a fragrance that perfectly thematizes and embodies emotions, thoughts and in this case the fear.

The arc to the beautiful bottle I make, quite untypical about the price. 220€ for 100ml Extrait I consider justified. The fragrance forms a very humane and discreet silage and remains with pleasure longer than 8h on the skin.

The bottle comes with a pair of scissors, which has the purpose that you "free" the bottle from its cover with it. This is not only a fun action, but for me just also emblematic ...

small disclaimer: The definition of Freud's theories on anxiety are not word for word with his writings and should be here only as a framework for the review.
7 Comments
Splitter

56 Reviews
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Splitter
Splitter
Very helpful Review 9  
Silver glow in the night sky

Sorcinelli brings a new fragrance and the teaser for it is already screaming with attention again. I'm on the hypetrain and waiting for more info, notes, publication. Then comes as promised two weeks after announcement everything worth knowing concentrated. And the bottle looks gigantic again. Only the notes make me (Weih-)smoke lover, who was already somewhat stutzig to confused with the last fragrances, somewhat demoralized. First test, then weigh the bottle purchase. At least for the next two hours, then my order went out and the bottle itself a few days later on the way from Rome to West Hesse.

With anticipation, I packed up the box, looked at the box quite intensively from all sides, picked apart in carefully and took the scalpel to hand to cut open the label / seal. To reveal a picture already known from the teasers and behind it lies the ominous scissors with a small pendant with imprint Sorcinelli's signature and the name of the fragrance bedded on the velvet pouch of the bottle. This in turn is silver lacquered but quasi sealed by a wide strip of rubber, which just needs to be opened first with the scissors. Possibly you can also choose other methods but the scissors is already within reach.

Cover off and up with it!
Tension builds up. And very briefly summarized I can spoil: comes good, I like!

But slowly:

The start is citrusy. But not friendly, bright and squeaky, but creaky and screaming. Almost like a bow not wetted with rosin on the strings of a cello. Deep, serious, even minimally soapy. And I was afraid of lemons and lilies of the valley.

Then it becomes resinous, woody, silvery shine. The iris darkens powdery, the rose makes metallic, everything is surrounded by astringent spice. Although not strong or slaying but quite noticeable and fascinating.

Slowly but surely, all this weakens and we are left with a classic, warm mixture of sandalwood and amber. Always with a clear and resinous edge. Cutting and yet not painful. Bitter yet not too monotonous and off-putting. New and yet familiar.

All in all, an overall experience that is worthwhile. The scissors are now at the cut open bottle on the shelf and is examined. At least if someone is there and it is thus bright. Otherwise, my shelves are dark and munkeln.

Who wants to have times a very special flacon and in addition a wild composition, here you go.

Only in the projection I lack in Sorcinelli's works partly the power. Here too. But that is the only criticism of this work of art.
6 Comments
5
Sillage
6
Longevity
8
Scent
Rogaux

23 Reviews
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Rogaux
Rogaux
Very helpful Review 5  
Aquatic apocalypse or: Vamos a la playa
Disclaimer:
"To describe the associations that this fragrance by Filippo Sorcinelli has awakened,
it is inevitable that Christian-religious ciphers such as death, resurrection and "Last Judgement" are addressed. In addition, existential fears are addressed.
If this triggers you, please stop reading now."

----------

In the wonderful book "Zen Mind, Beginner's Mind", Shunryu Suzuki writes a sentence that is ultimately also the subject of né il giorno né l'ora:

"Soon we will die."

For the Zen monk, this sentence flows easily and as a fundamental statement from his lips or pen,
catholic Christians - and I suspect that Filippo Sorcinelli, as an Italian, is fundamentally socialized as a Roman Catholic - tend to feel differently:

On the one hand, there is an archaic (pagan) fear of death.
The primal fear, the fear of annihilation, the fear of a self-referential, autopoietic system of the unimaginable:
its own non-existence.

Essentially apocalyptic religious communities have usually devised a narrative here that is intended to give hope:
"When you die, it's not over.
If everything goes wrong, we're on the safe side because we've followed the RIGHT rules, and that's when it gets really cool!"

But there is also a Catholic fear:
The fear that there won't be enough time for confession.
Because, unfortunately, we don't know when the apocalypse will happen.
And it even says so in the Bible:
Gospel of Matthew 24

"36 But of that day and hour knoweth no man, no, not the angels which are in heaven, neither the Son, but the Father only 37. for as it was in the days of Noah, so it will be at the coming of the Son of Man.
38. for as they were in the days before the flood: they ate, they drank, they married and were given in marriage until the day Noah entered the ark,
39. and they paid no attention until the Flood came and took them all away - so will the coming of the Son of Man be."

Not the day and not the hour
né il giorno né l'ora

So what is actually wafting under my nose here as a rather pleasantly citrusy summer freshness is in reality the wave of the new deluge?

An aquat for Judgement Day, haha, how wonderful.

And yet I'm not quite breaking out in a cold sweat,
because all the flowers, citrus fruits and woods are already on their way to the beach, to the party, to eat, to drink, to marry and to be married,
and I hear them singing
"vamos a la plaja, o' o'o o'oh!",
and no one has ever read or translated the lyrics of Righeira,
let alone realize that they are also Italians.
And I am pulled along in a crowd of beautiful young people, to the beach, to the party, where the torches blaze and the moon is reflected in the spray of the dark sea.
And I like to tumble along,
YOLO!
and Maynard James Keenan is there and we talk about L.A. in the 90s and the lyrics of Ænema,
WOOP WOOP!
and there's Filippo at the front, a point of honor, and I ask him what he means by fear,
and he stops for a moment, smiles calmly and says, more quietly than loudly:

"Soon we will die."
7 Comments
Biagio08

2 Reviews
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Biagio08
Biagio08
3  
Anxiety sweat
In principle I like Filippo Sorcinelli creations,
even if only for sniffing (I have a lot of bottlings)
because I consider most of the fragrances as a whole art and try
to understand the interpretation of what Mr. Sorcinelli has to tell us
i dare to try his new releases from time to time, I find
personally few fragrances from him wearable, e.g. Unum Lavs, otherwise I see as described
the fragrances more as art.
But Unum né il giorno né l'ora really blew me away in a negative way,
i keep smelling this sweaty note, which I'm sure one or the other will find beautiful
because it may seem animalistic, but for me it is one of the worse notes
i have smelled in fragrances . we will not be friends

0 Comments

Statements

1 short view on the fragrance
UIViewUIView 12 months ago
This reminded me at first sniff of Tom Ford’s sadly discontinued Noir Anthracite. I really like the notes here. And the bottle design is
0 Comments

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