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né il giorno né l'ora Filippo Sorcinelli 2023

né il giorno né l'ora by Filippo Sorcinelli

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né il giorno né l'ora (Filippo Sorcinelli)

7.3 / 10 19 Ratings

A new perfume by Filippo Sorcinelli for women and men, released in 2023. The scent is woody-aquatic. The longevity is above-average. It is still in production.

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Main accords

Woody

Aquatic

Citrus

Fresh

Spicy

Fragrance Pyramid

Top Notes

Musk

Sandalwood

Tonka bean

Amber

Heart Notes

Marine notes

Iris

Jasmine

Rose

Base Notes

Lemon

Galbanum

Lily of the valley

Bergamot

Cardamom

Citron

Ratings

Scent

7.319 Ratings

Longevity

8.617 Ratings

Sillage

7.718 Ratings

Bottle

8.422 Ratings

Value for money

6.711 Ratings

Submitted by Splitter, last update on 20.04.2024.

Interesting Facts

The fragrance is part of the "Unum" collection.

Reviews

3 in-depth fragrance descriptions

12/16/2023

Biagio08
2 Reviews

Translated Show original

Biagio08

1

Anxiety sweat

In principle I like Filippo Sorcinelli creations,
even if only for sniffing (I have a lot of bottlings)
because I consider most of the fragrances as a whole art and try
to understand the interpretation of what Mr. Sorcinelli has to tell us
i dare to try his new releases from time to time, I find
personally few fragrances from him wearable, e.g. Unum Lavs, otherwise I see as described
the fragrances more as art.
But Unum né il giorno né l'ora really blew me away in a negative way,
i keep smelling this sweaty note, which I'm sure one or the other will find beautiful
because it may seem animalistic, but for me it is one of the worse notes
i have smelled in fragrances . we will not be friends

10/16/2023

10
Pricing 10
Bottle 9
Sillage 9
Longevity 9.5
Scent

Dan93
22 Reviews

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Dan93

Very helpful Review 16

The toxic transformation according to Freud

Freud divided anxiety into three categories.

From his personality model of the id, ego and superego emerge the following theory about human anxiety.

The realistic fear to flee from what is harmful, from what could have a negative impact on our integrity, on our survival. Be it forces of nature or, quite banally, the smell of fire in our house.

The neurotic fear describes how we react to facts, thoughts and ideas , which exist only in our head, but not outside, not in our environment and which are therefore not real. The loss of control we all know or nervousness before unknown events.

Moral anxiety comes full circle here. It is largely determined by the superego. It is this inner social world that we all have where our "ought", our "unconscious mandates" and this fear or shame of failure in all its forms, be it disrepute, loneliness or dismissal, are enacted.

The subject of fear and how to deal with that very fear is vast and profound, just like all of our fears themselves.

Filippo Sorcinelli has dedicated this fragrance to fear. If you put aside the artistic aspect and process with the enclosed scissors and the associated invitation to interact with the bottle for now, you focus only on the fragrance.

Purely olfactory, it is richly citrus by the tart citron, green by be floral elements and then yet very monotonous warm-woody with subtle aquatic glow.

This all sounds now first very wild and almost like a nice summer scent. Far from it!

Sorcinelli has bottled something much darker and more mythical in this gloomy bottle bound in leather. The fragrance captivates its wearer. Almost as if you have to free yourself with scissors!

The fragrance reminds me almost something of fear sweat, so a smell we all know.

Sorcinelli has once again managed to create a fragrance that perfectly thematizes and embodies emotions, thoughts and in this case the fear.

The arc to the beautiful bottle I make, quite untypical about the price. 220€ for 100ml Extrait I consider justified. The fragrance forms a very humane and discreet silage and remains with pleasure longer than 8h on the skin.

The bottle comes with a pair of scissors, which has the purpose that you "free" the bottle from its cover with it. This is not only a fun action, but for me just also emblematic ...

small disclaimer: The definition of Freud's theories on anxiety are not word for word with his writings and should be here only as a framework for the review.

10/14/2023

Splitter
50 Reviews

Translated Show original

Splitter

Very helpful Review 9

Silver glow in the night sky

Sorcinelli brings a new fragrance and the teaser for it is already screaming with attention again. I'm on the hypetrain and waiting for more info, notes, publication. Then comes as promised two weeks after announcement everything worth knowing concentrated. And the bottle looks gigantic again. Only the notes make me (Weih-)smoke lover, who was already somewhat stutzig to confused with the last fragrances, somewhat demoralized. First test, then weigh the bottle purchase. At least for the next two hours, then my order went out and the bottle itself a few days later on the way from Rome to West Hesse.

With anticipation, I packed up the box, looked at the box quite intensively from all sides, picked apart in carefully and took the scalpel to hand to cut open the label / seal. To reveal a picture already known from the teasers and behind it lies the ominous scissors with a small pendant with imprint Sorcinelli's signature and the name of the fragrance bedded on the velvet pouch of the bottle. This in turn is silver lacquered but quasi sealed by a wide strip of rubber, which just needs to be opened first with the scissors. Possibly you can also choose other methods but the scissors is already within reach.

Cover off and up with it!
Tension builds up. And very briefly summarized I can spoil: comes good, I like!

But slowly:

The start is citrusy. But not friendly, bright and squeaky, but creaky and screaming. Almost like a bow not wetted with rosin on the strings of a cello. Deep, serious, even minimally soapy. And I was afraid of lemons and lilies of the valley.

Then it becomes resinous, woody, silvery shine. The iris darkens powdery, the rose makes metallic, everything is surrounded by astringent spice. Although not strong or slaying but quite noticeable and fascinating.

Slowly but surely, all this weakens and we are left with a classic, warm mixture of sandalwood and amber. Always with a clear and resinous edge. Cutting and yet not painful. Bitter yet not too monotonous and off-putting. New and yet familiar.

All in all, an overall experience that is worthwhile. The scissors are now at the cut open bottle on the shelf and is examined. At least if someone is there and it is thus bright. Otherwise, my shelves are dark and munkeln.

Who wants to have times a very special flacon and in addition a wild composition, here you go.

Only in the projection I lack in Sorcinelli's works partly the power. Here too. But that is the only criticism of this work of art.