03/29/2020
Can777
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Narcissus Lips
Phantasm. What name would appeal to me more than that? I, who had already tasted too much of the water of the lips. Phantasm the water of illusions, secret wishes, fantasies and visual hallucinations. Phantasm had me immediately under its spell. From the first moment on. It wasn't even on my skin, I already knew it would be mine. Just a short sniff of the bottle was enough to open the gates of my fantasies even more than they already were and are. Phantasma carries its name rightly, because it makes things appear olfactory, which actually should not be there. Nothing is so real to smell what was indicated. At least not much of it. But many other things. Very nice things
Phantasm
One cannot follow the list of scents in Phantasma. In no way. At the beginning, a delicate hint of Yuzu may be noticeable. A small citric freshness that appears briefly and has already disappeared again. Then it immediately begins to turn green. Green, juicy branches are broken and their juicy bark is peeled and cut. Almost simultaneously two more notes are added. Both very concise. Not to say dominant. The scent of plump and full-bodied narcissus in full bloom and the scent of black, rough-smoked and dried tea leaves mixes with the green. A vegetable-floral animalism runs through Phantasma. It is further refined with a pinch of slightly pungent sage. It is also well perceptible, but only for a short time and not very long. Also a slightly chalky, dull, mineral undertone, which I attribute to the rice powder. It smells something like earthy, dry forest soil. Woody and nutty nuances are delicately added, but even these are still relatively green in their appearance. It is a hazelnut note from a still young hazelnut which is still green and not fully hardened and woody. It's like breaking it open and smelling its inside. The stage between ripe and unripe hits it best, I think.
Conclusion
Phantasm is like a flowery, tangy-green pulp of the notes I mentioned, all of which were placed in an old stone mortar and crushed and stirred. Daffodils with tubers, rough black-dark and dried black tea leaves, spicy pungent sage, various juicy barks and woods and a touch of mineral forest soil. It is not so easy to classify Phantasma. It plays tricks on the nose and is like a phantom. It makes notes appear that are impossible to find, such as oakmoss. The combination of the many green notes and the rough, almost smoky tea makes you believe it is. Phantasma has very Cypriot echoes, but is not really one either. It is flowery, green, earthy, woody and partly almost mineral. It is an olfactory hallucination and a rough green floral mystery. Nothing is as it seems and whoever tastes the water of the lips will know what I mean. For me personally the most beautiful of the new or rather old collection. But I also love daffodils and fantasies!
Visions are hallucinations, in which only afterwards it becomes clear what they were!
- Erhard Blanck-
Phantasm
One cannot follow the list of scents in Phantasma. In no way. At the beginning, a delicate hint of Yuzu may be noticeable. A small citric freshness that appears briefly and has already disappeared again. Then it immediately begins to turn green. Green, juicy branches are broken and their juicy bark is peeled and cut. Almost simultaneously two more notes are added. Both very concise. Not to say dominant. The scent of plump and full-bodied narcissus in full bloom and the scent of black, rough-smoked and dried tea leaves mixes with the green. A vegetable-floral animalism runs through Phantasma. It is further refined with a pinch of slightly pungent sage. It is also well perceptible, but only for a short time and not very long. Also a slightly chalky, dull, mineral undertone, which I attribute to the rice powder. It smells something like earthy, dry forest soil. Woody and nutty nuances are delicately added, but even these are still relatively green in their appearance. It is a hazelnut note from a still young hazelnut which is still green and not fully hardened and woody. It's like breaking it open and smelling its inside. The stage between ripe and unripe hits it best, I think.
Conclusion
Phantasm is like a flowery, tangy-green pulp of the notes I mentioned, all of which were placed in an old stone mortar and crushed and stirred. Daffodils with tubers, rough black-dark and dried black tea leaves, spicy pungent sage, various juicy barks and woods and a touch of mineral forest soil. It is not so easy to classify Phantasma. It plays tricks on the nose and is like a phantom. It makes notes appear that are impossible to find, such as oakmoss. The combination of the many green notes and the rough, almost smoky tea makes you believe it is. Phantasma has very Cypriot echoes, but is not really one either. It is flowery, green, earthy, woody and partly almost mineral. It is an olfactory hallucination and a rough green floral mystery. Nothing is as it seems and whoever tastes the water of the lips will know what I mean. For me personally the most beautiful of the new or rather old collection. But I also love daffodils and fantasies!
Visions are hallucinations, in which only afterwards it becomes clear what they were!
- Erhard Blanck-
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