In the spring shadow she lay there, with rosy cheeks, rust brown hair.
Around us only peaceful silence.
So I tied hundreds of rose ribbons
around her delicate limbs,
found her warm, resinous hand,
which I can never let go of.
As she sat on my lap,
The birds sang beside the orange tree and grass.
There I wove into her rust brown hair,
flowers for each shared year.
The river, which sounded like 1000 drops of dew the next morning,
When she awakens in the field of flowers, nestled so sweetly in moss.
Her skin so freshly washed,
With noble rose soap,
Adorned with pepper speckles,
From her cheeks to her thighs.
Radiating warmly in the sunlight.
Her embroidered dress was discovered by little kittens,
Who feasted on fruits.
It sounded dark red,
Right down to the last thread.
Red berry lips,
All smeared with honey,
Were adorned with the most beautiful smile.
Cloud herds passed overhead,
Carried by incense breezes
It should slowly become noon.
Then she picked roses,
Cut herself deeply,
On sharp thorny vines,
Lost herself in her miserable,
lonely thoughts
Pressed on and did not see,
The cliff down to the valley,
She stumbled and fell down
Until the current stole her from me.
The only thing left for me now
Is to remember Ophelia,
Are the bloody thorns of the roses in my cold hands.
Even the flowers,
Once radiant and opulent,
Faded in the once carefree valley,
On that day, when dear God stole her from me.
They turned rust brown and moved me
To heavy tears
For how could I disdain the color
Of my beloved.
Only my rose remains,
Unchallenged beautiful.
Lets me believe in my heart,
That I will see her again soon.
Singly the fruit still painfully loses fermenting drops
Sounds the river rust brown.
And I still wait
Under our linden tree.
I watch the fruits as they slowly dry,
Even the kittens disdain them.
And I wait until the end of my life, to see them again.
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Scent impression and note classification:
The scent completely overwhelmed me at first. It was too dense, hearty, aldehydic, loud, and too much.
The fruits screeched sour-sweet competing with resins and roses. Added to that were wood and strong citrus.
After it settled and my nose got used to it, it began to transform pleasantly.
The still very strongly present rose was now surrounded by other flowers. I can detect the listed chamomile very finely, almost tea-like, and unlisted tuberose, neroli, and lily of the valley. The rose here, as the focal point of the scent, is incredibly multifaceted. From initially strong and piercingly soapy, it transforms to sour, lychee-like fruity, fine, and transparent. Sometimes even all at once. This can certainly be overwhelming and piercing but has something deep, exciting, seductive, and erotic. Towards the end, it smells like the firm, still closed heart of a red rose. Romantic and beautiful.
The aldehyde accord becomes very, very soapy with the additional coriander.
The resin accompanies the scent throughout. It sometimes combines with saffron, vanilla, wood, but also green notes. Here again, one sees a multifaceted interpretation. Towards the end, it appears in combination with the fruits and honey as a sticky fruit juice that surrounds the dried fruits.
I perceive several fruity notes. On one hand, I smell something berry-like, slightly sour, later almost liqueur or wine-like fermented (unlisted). On the other hand, I also get a lot of citrus, which is only present and loud at the beginning. I also seem to smell something plum-like (unlisted).
In the end, they seem dry.
Fortunately, I notice little of the oud or the coffee.
The spice is limited, only supporting here and there.
Likewise, the incense is light, which occasionally emerges beautifully and then silently disappears again.
Ginger gives a slight sharpness in between, making the rose briefly reminiscent of "La Rose | Christian Louboutin," which also lists this ginger rose. Definitely not a dupe or anything like that.
The animalic notes, listed here as castoreum and civet, are delicate, like a tame kitten with soft fur.
Caramel sweetens but is otherwise hardly present.
Unlisted but present for me is a linden tree. The wood accords are harmonious and a floral note reminds me of "Linden Blossom | Harry Lehmann."
Moss and green notes form, especially at the beginning but throughout the scent, a beautiful, nature-close foundation.
Like many other users, I also perceive blood. Quite metallic and realistic, it mixes throughout with the rose. Initially present, then withdrawn and then emerging again. Exciting.
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Conclusion:
Overall, the pyramid is overwhelmingly huge, and addressing everything will surely take forever. Even my somewhat incomplete review has now really become longer than planned. The scent seems to be deeper than depicted in the pyramid, yet it also has some notes listed more for fullness or appeal. Many from the house seem similarly extensive. After I couldn't connect with
Dubai - Oud at all, this one positively surprised me. Although I don't need to have it, it fascinated me immensely, and the testing experience brought me incredible joy. As a rose fan, a testing recommendation. Here, however, only if you like metallic scents. I couldn't wear the scent daily, as it is too opulent for me. I think on some days it would almost summon migraines. But I believe that on some selected days it would be a beautiful companion that radiates confidence, sensuality, and opulence.
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Song associations:
Goodbye, My Danish Sweetheart - Mitski
Beginning to middle of the scent
Dark Paradise - Lana Del Rey
Middle to end of the scent
Миллион алых роз - Alla Pugacheva
Overall