04/08/2020

Yatagan
72 Reviews
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Yatagan
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I have rarely struggled with a fragrance for as long as I have with this one and in my experience irritation is often not a bad sign. Bulky scents get stuck in the memory more easily and longer lasting. Here, however, I was disturbed at first because I perceive an almost animalistic chord in the top note of this postmodern chypre. I can't say for certain where it comes from, but lychee may seem similar to grapefruit, which is also described by some as urine-like - and this note actually reminds me of grapefruit, with the difference that grapefruit itself is quite insensitive and I find it downright pleasant, but here I was almost a bit shocked.
In the meantime, this impression has vanished and I recommend everybody (because the fragrance is equally wearable by all genders, but perhaps the closest it comes to the idea of metrosexuality) to get involved with the fragrance.
In the next step, the fragrance develops a green note, which might come from the violet leaf. A short time later, the rose, which Profumo has described very beautifully as a velvety rose accord, sets the mood. The fragrance then remains linear for a long time, which I find pleasant, because the fresh, tart accents of bergamot and lychee hold up surprisingly well, while the rose doesn't get the upper hand. Especially the scent rose often dominates depending on the dosage and then appears generic. This is never the case here - as in a good classic chypre. In drydown the woody base with the oak moss substitute develops more strongly, which I find very successful, but which should have been even stronger for my taste.
I find the deconstructively productive approach to the classic chypre genre very exciting. Profumo reports on its revival in several well-researched commentaries, and also fundamentally addresses the creative redesign of the chypre through the innovative use of new substitutes for the natural oak moss that is banned by the IRFA. Therefore, here just so much to add: This redesign would not be creative if it was only based on the reproduction of old fragrances. Instead, I have the impression that the elements (in the case of the classic chypre these would be: bergamot / Hesperidian - rose and jasmine oil - oakmoss and musk; possibly patchouli or vetiver) have been broken down and from this deconstruction something new and surprising has been created.
My initial resistance to sustained irritation led me to increased curiosity and ultimately fascination. Expressed in ratings: from 6 to 7 and finally to 8.5. I have really rarely experienced this.
In the meantime, this impression has vanished and I recommend everybody (because the fragrance is equally wearable by all genders, but perhaps the closest it comes to the idea of metrosexuality) to get involved with the fragrance.
In the next step, the fragrance develops a green note, which might come from the violet leaf. A short time later, the rose, which Profumo has described very beautifully as a velvety rose accord, sets the mood. The fragrance then remains linear for a long time, which I find pleasant, because the fresh, tart accents of bergamot and lychee hold up surprisingly well, while the rose doesn't get the upper hand. Especially the scent rose often dominates depending on the dosage and then appears generic. This is never the case here - as in a good classic chypre. In drydown the woody base with the oak moss substitute develops more strongly, which I find very successful, but which should have been even stronger for my taste.
I find the deconstructively productive approach to the classic chypre genre very exciting. Profumo reports on its revival in several well-researched commentaries, and also fundamentally addresses the creative redesign of the chypre through the innovative use of new substitutes for the natural oak moss that is banned by the IRFA. Therefore, here just so much to add: This redesign would not be creative if it was only based on the reproduction of old fragrances. Instead, I have the impression that the elements (in the case of the classic chypre these would be: bergamot / Hesperidian - rose and jasmine oil - oakmoss and musk; possibly patchouli or vetiver) have been broken down and from this deconstruction something new and surprising has been created.
My initial resistance to sustained irritation led me to increased curiosity and ultimately fascination. Expressed in ratings: from 6 to 7 and finally to 8.5. I have really rarely experienced this.
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