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04/23/2019
Meggi
212 Reviews
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Meggi
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27
With Radio Yerevan Patchouli
The citrus freshness, before it can become lively, is immediately given a tart creaminess, which in turn is supported by wood. I also suspect that a blob of general laboratory fruit is involved, not just the citrus fraction.
For the topic "smoke" I would have needed a little while today without an announcement, that is still too unusual for me in such company. Warm, sweet and by no means weih-like smoke seasoning on soapy-creamy, gently fruit-sweet white blossom. Quite nice, but no comparison to the racy 'Shanaan' by Micallef, for example, who acts much more courageously with jasmine and smoke.
A positive aspect of 'White Neroli' is that the sweetness has a relatively airy appearance, which is very good for the mixture of incense and jasmine. Close to the skin, a bitter sting also gives it an adult appearance.
On the other hand, I find the artificial wood disturbing, which, in contrast to the sibling scent 'Eau de Gingembre', does not appear quite offensively synthetic in the pyramid alone. Nevertheless, I gratefully accept his contribution on the meta-level, so to speak, as a kind of lesson, because a well-smellable artificial wood variant is openly named. At the perfume and fragrance ingredient supplier "Pell Wall", "Clearwood" (for the jurists among us "Clearwood TM") is described as a completely de-eggated Patchouli replica: "Soft, clean version of Patchouli without the earthy, leathery and rubbery notes found in the natural oil." Sounds like Radio Yerevan - "Patchouli? In principle, yes, but..."
In any case, I imagine that I have already smelled said wood several times. Specifically, I'm thinking of the wood in Diors Bois d'Argent. However, the iris had exerted a beneficial, almost ennobling influence there. She's missing everywhere. And now I'm coming to the end of that. In contrast to the previous speaker, from noon at the latest everything that might be noticed at all else has become an accessory to a becremed, beginning banana-like artificial wood note. It can be (er)-carried, so it is not tree-market-fies or something, just terribly boring. Only in the evening and only directly on the skin I perceive (again) primarily bittersweet jasmine and musk.
This scent really doesn't risk anything. I book it - see above - as a lesson.
A "teaching hour extra point" is taken into account in my evaluation.
I thank Kovex for the rehearsal.
For the topic "smoke" I would have needed a little while today without an announcement, that is still too unusual for me in such company. Warm, sweet and by no means weih-like smoke seasoning on soapy-creamy, gently fruit-sweet white blossom. Quite nice, but no comparison to the racy 'Shanaan' by Micallef, for example, who acts much more courageously with jasmine and smoke.
A positive aspect of 'White Neroli' is that the sweetness has a relatively airy appearance, which is very good for the mixture of incense and jasmine. Close to the skin, a bitter sting also gives it an adult appearance.
On the other hand, I find the artificial wood disturbing, which, in contrast to the sibling scent 'Eau de Gingembre', does not appear quite offensively synthetic in the pyramid alone. Nevertheless, I gratefully accept his contribution on the meta-level, so to speak, as a kind of lesson, because a well-smellable artificial wood variant is openly named. At the perfume and fragrance ingredient supplier "Pell Wall", "Clearwood" (for the jurists among us "Clearwood TM") is described as a completely de-eggated Patchouli replica: "Soft, clean version of Patchouli without the earthy, leathery and rubbery notes found in the natural oil." Sounds like Radio Yerevan - "Patchouli? In principle, yes, but..."
In any case, I imagine that I have already smelled said wood several times. Specifically, I'm thinking of the wood in Diors Bois d'Argent. However, the iris had exerted a beneficial, almost ennobling influence there. She's missing everywhere. And now I'm coming to the end of that. In contrast to the previous speaker, from noon at the latest everything that might be noticed at all else has become an accessory to a becremed, beginning banana-like artificial wood note. It can be (er)-carried, so it is not tree-market-fies or something, just terribly boring. Only in the evening and only directly on the skin I perceive (again) primarily bittersweet jasmine and musk.
This scent really doesn't risk anything. I book it - see above - as a lesson.
A "teaching hour extra point" is taken into account in my evaluation.
I thank Kovex for the rehearsal.
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Hermesh
