08/04/2021

Robbenbingo
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Robbenbingo
Very helpful Review
9
No love for the super fir
First of all, there's a big "pro" towering over everything: I've never found such a genuinely drawn fir tree interpreted in a fragrance. The implementation is rather abstract and floating, more a touch of trickling needles than a rustic trunk with dripping tree blood, but just by this slimming the whole thing comes alive. Delicate and green, slightly nutty and almost otherworldly unwooded. I don't think you can get much closer to the idea of conifer aroma in a perfume. And it does it so effortlessly and with a light spring. Quite masterful. A great break from the association with creaky old school masculine fragrances with a heavy, dusty needle resin flair. Instead, modern, ultralight and very urban.
And then comes the con: somewhere in the shallows of my olfactory center, resistance stirs. It's something metallic, dull-chemical that buzzes steadily and artificially in the very back corner of the scent. Is this the shadow side of a molecule doing something good for the scent on the other side? In any case, I can't take a deep puff of the scent without the illusion of beautiful needle splendor turning out to be a decal at the end. And that's really weird, because really, "Ormonde Man" has everything for my holy needle grail. But in the end, I miss depth and warmth, which woody notes absolutely need for me and which are lost at the expense of transparency and lightness here.
I think it is simply the stylistics of Geza Schön, with which I do not get along there. For all those who are just lurking around this fragrance and find out here: For you, even just the first paragraph may be true. Don't be put off. My doubts are certainly not universal.
A gorgeous, artful and very ambivalent fragrance!
And then comes the con: somewhere in the shallows of my olfactory center, resistance stirs. It's something metallic, dull-chemical that buzzes steadily and artificially in the very back corner of the scent. Is this the shadow side of a molecule doing something good for the scent on the other side? In any case, I can't take a deep puff of the scent without the illusion of beautiful needle splendor turning out to be a decal at the end. And that's really weird, because really, "Ormonde Man" has everything for my holy needle grail. But in the end, I miss depth and warmth, which woody notes absolutely need for me and which are lost at the expense of transparency and lightness here.
I think it is simply the stylistics of Geza Schön, with which I do not get along there. For all those who are just lurking around this fragrance and find out here: For you, even just the first paragraph may be true. Don't be put off. My doubts are certainly not universal.
A gorgeous, artful and very ambivalent fragrance!
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