Spices
Blackcurrant
Indonesian patchouli
Suede
Citrus fruits
Osmanthus03/09/2025
Sapho
13 Reviews
Translated
Show original
Sapho
Very helpful Review
8
The art of slowing down
The earth is spinning faster and faster. Our lives are changing
with breathtaking speed. Some people cope well with this,
some, like me, not at all. They suffer from
Sensory overload, multitasking agony and torture from the overdose
of perfume by their fellow human beings. In order to escape this, people try to merge with
to merge with the crowd, to identify with it, but it
does not succeed. And so there is nothing left to do but to find your own niche
a hermit's hermitage. A little chamber that allows you to
remain yourself to remain yourself. You take your favorite Murakami book with you, a CD with a
Mozart opera and, of course, a good perfume. And the choice could be T&S
a perfume for an intimate setting like a chamber play, with just a few
Fragrances on stage, without extras and elaborate backdrops. The few
Actors are present and in tune with each other. There are no leading and
supporting roles Supporting roles, everyone meets at eye level. First of all, an overripe
and unsweet redcurrant is fermented into cassis, then spices are added: a
Pinch of cinnamon, aniseed and cardamom, a hint of clove and sweet pea. After they
have made their entrance, the spices take a bow and step back. Now comes
a fine, velvety suede, holds its monologue and makes way for
Osmanthus, which, very slightly fruity, gives the whole thing a minimal woody note
and harmonizes perfectly with earthy patchouli. The whole action develops
slowly, unagitated and very carefully
Keiko Mecheri herself is said to have said about T&S that this fragrance expresses the desire
to be noticed, but at the same time to remain authentic, true to oneself
and down to earth. This perfume, like many of their other
Fragrances, rather quiet and restrained, and thus does justice to the claim to be perceived
to be noticed without attracting attention.
with breathtaking speed. Some people cope well with this,
some, like me, not at all. They suffer from
Sensory overload, multitasking agony and torture from the overdose
of perfume by their fellow human beings. In order to escape this, people try to merge with
to merge with the crowd, to identify with it, but it
does not succeed. And so there is nothing left to do but to find your own niche
a hermit's hermitage. A little chamber that allows you to
remain yourself to remain yourself. You take your favorite Murakami book with you, a CD with a
Mozart opera and, of course, a good perfume. And the choice could be T&S
a perfume for an intimate setting like a chamber play, with just a few
Fragrances on stage, without extras and elaborate backdrops. The few
Actors are present and in tune with each other. There are no leading and
supporting roles Supporting roles, everyone meets at eye level. First of all, an overripe
and unsweet redcurrant is fermented into cassis, then spices are added: a
Pinch of cinnamon, aniseed and cardamom, a hint of clove and sweet pea. After they
have made their entrance, the spices take a bow and step back. Now comes
a fine, velvety suede, holds its monologue and makes way for
Osmanthus, which, very slightly fruity, gives the whole thing a minimal woody note
and harmonizes perfectly with earthy patchouli. The whole action develops
slowly, unagitated and very carefully
Keiko Mecheri herself is said to have said about T&S that this fragrance expresses the desire
to be noticed, but at the same time to remain authentic, true to oneself
and down to earth. This perfume, like many of their other
Fragrances, rather quiet and restrained, and thus does justice to the claim to be perceived
to be noticed without attracting attention.
7 Comments
